You like gear. I get it. Me too.
I use only high quality analog processing and detailed monitoring in a well treated listening environment. My room is designed around a Tyler Acoustics Decade D1x monitoring system providing pristine audio reproduction from 25Hz to 20kHz. Supplementing them are a stereo pair of subwoofers for checking critical sub-bass frequencies based on Polk Audio PSW-125's with modified amplifiers.


  • HCL Thermos tube mastering eq (custom Barry Porter NetEQ)
  • HCL Tesval tube mastering eq
  • Elysia Xfilter 500
  • 2 Lindell PEX-500

  • Dynamic Processing

    • HCL Varis tube variable-mu mastering compressor
    • Elysia Xpressor 500
    • AudioScape Buss Compressor (SSL clone)
    • 2 dbx 520 de-essers

Routing and digital converters

  • Lynx Hilo Mastering AD/DA
  • Future-Retro DB Mastering Console
  • MOTU 896HD
  • 2 48-point balanced patchbays


  • Tyler Acoustics D1x Mastering Speakers
  • dual customized Polk PSW125 subwoofers
  • Emotiva XPA-200 stereo amplification

DAW / Editing Software

  • Steinberg WaveLab
  • Reaper
  • HOFA DDP Player Maker
  • Izotope RX

Transfer Sources / Recording

  • Otari MX-55T-M 1/4" analog master tape recorder
  • Teac turntable w/Grado, Ortofon and AudioTechnica cartridges
  • Sony SV-3700 Digital Audio Tape
  • Tascam 202 MKIII Cassette deck
  • 2 Aphex 124A level matching amplifiers

Room Treatment / Miscellaneous

  • GIK Acoustics Panels & Tri-traps
  • Sterling Modular 3-bay Multi-Station
  • Argosy racks
  • Elgato StreamDeck controller
  • Fredenstein Bento10 500 rack

2Track Mastering

If you prefer, I can also be booked through the following sites:

Joe Procopio on

Joe Procopio on

Joe Procopio on

Joe Procopio on


Phone 267.415.6565

Apple Digital Masters Certified ISRC

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